THE NEW YESTERDAY – HVW8 Berlin

THE NEW YESTERDAY
HVW8 Berlin, Linienstr. 161, 10115 Berlin
Opening: February 10th, 6-9 pm
Exhibition: February 11th – April 15th
Opening hours: Tue-Sat, 2-7 pm

HVW8 Gallery Berlin is pleased to present THE NEW YESTERDAY, a group exhibition featuring artists:
44 Flavours, Sebastian Haslauer, Daniel M Thurau, Sascha Missfeldt, Stefan Rinck, Jaybo Monk and SuperBlast.

“… for each beginning bears a special magic that nurtures living and bestows protection.” Hermann Hesse

With the group exhibition THE NEW YESTERDAY, HVW8 Gallery Berlin celebrates new beginnings in challenging times.
The ever changing landscapes, physical and psychological, shifting to new manifestations. Resting for a singular moment, to transform into another the next. How does it feel to make this first step into thein that lies ahead and how do we reaco it, in a leap of faith. The artist is by nature repeating this process, with every new work. It becomes a part of the process.

Selected works from the artists’ most recent series are shown together for the first time. And we´re off to new beginnings.

#HVW8berlin @hvw8gallery

Opening Friday Nov 1st – Manuel Osterholt (SUPERBLAST)

Superblast_2paintings

Exhibition Opening
Friday, 1st of November 2019
6:00pm – 10:00pm
HVW8 Berlin – Linienstraße 161, 10115 Berlin

In bursts of neon paint, Osterholt configures symbolic odes to our human condition and mortality. Through his use of vivid and unnatural colors, elements of nature, the celestial and the otherworldly are transfigured into warning signs, as if illuminated by the prophetic glow from an explosion elsewhere. Like a heatwave in fall, the paintings whisper age-old fables in the flicker of pink-orange candle light: an ancient cycle of birth and destruction binds humanity and the natural world. Osterholt also presents a series of ceramic masks which reference both the traditions of ancient ceremony and ritual, and hiding in plain sight. These themes are unified in the glow of a lightbox installation, which features in the show as a symbolic gesture towards the tension between light and dark.

While these works possess Osterholt’s signature iconography, the artist embraces a looser mode of expression than his usually-refined graphic style. Painterly strokes and sketchiness signal a renewed urgency in his message, as well as a playfulness which refracts remembered summers of his youth among the olive trees in Greece. The lucid mythologies encoded in the works also instigate a dialogue with the viewer about sacred tales of morality. Framed by the title’s impossible endeavour of ‘measuring the sky’, Osterholt’s work brings into question the role of the ego in the imbalance between good and evil. Through the mirroring of forms such as raindrops and flames, a microcosm emerges for the stardust from which we came, and that to which we’ll return.

Text by Brit Seaton