HVW8 on Nowness

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TBT (Dr Dre 2)
Hassan Rahim

from Distillations, HVW8 Gallery, 2014

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Parra
Exterior of HVW8 Gallery

From Same Old Song, HVW8 Gallery, 2014

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Janette Beckman
Installation photo

From Punks, Rap and Gangs, HVW8 Gallery, 2014

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Jean André
Fuck You Tyler

2014

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Jean André
Marie 89

2014

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Justin R. Saunders
via the Wushipu Oil Painting Village in Xiamen, China.

From JJJJound Correspondence, HVW8 Gallery, 2013

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Parra
Betrayed

From Same Old Song, HVW8 Gallery, 2014

Parra

Parra
Lunch Beers

From Same Old Song, HVW8 Gallery, 2014

Peter_Beste

E.S.G., Missouri City, 2005
Peter Beste

From Houston Raps, HVW8 Gallery 2014

 

New article on HVW8 Gallery and Summer School from Nowness.com

Summer School: HVW8 Gallery

Art Lessons and Dance Sessions in the Californian Desert

From the brazen imagery of Amsterdam’s Parra to the internet-inspired visuals of the Kanye West-affiliated Canadian artist JJJJound, LA gallery HVW8 cultivates an international collision of pop culture and graphic design in a contemporary art setting. “We allow someone that might not be familiar with the artists we exhibit to see them in a lineage of El Lissitzky or Roy Lichtenstein, who to me are examples of fine graphic artists,” says HVW8 co-founder Tyler Gibney. This month the gallerist took psychedelic artists Erin D. Garcia, Teebs, Jean André and Alvaro “Freegums” Ilizarbe on a desert road trip for Summer School, an art and music weekender at the Ace Hotel in Palm Springs featuring sun-kissed West Coast bands such as dance-punk duo De Lux. “I grew up with a Bauhaus education and I love the idea of artists teaching and exposing their craft,” says Gibney of the hands-on experience of Summer School’s workshops. Founded in 2011 by LA new music champions School Night and the Ace Hotel, the micro-festival’s inaugural line-up included cult mobile letterpress studio Movable Type, and Chris Johanson of the Mission School art movement. “I approach my drawings as a viewer, I want to understand why a choice is made and the reason behind it,” says Garcia, who took on collage class duties while Cali locals Teebs went cosmic with Japanese tie-dye alongside Ilizarbe’s infinity patterns, and Paris’s André showcased poster techniques. “I think there’s an elegance in a simple idea that’s communicated well.”

‘Distillations’ by Hassan Rahim

 

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TBT (Distillation 2)
25 x 33″
Metallic C-Print, Archival Inkjet, and Xerox Photocopy with 6-Ply Mat
Unique
2014

 

Hassan Rahim
Distillations
May 29th – June 22nd, 2014

Distillations is a refusal. Collage overlays images to connect disparate contexts and temporal zones. People and objects are layered, decontextualized, cut, and pasted into oblivion. At some point, a lack of restraint only leaves heaps of forced narratives, absurdity, and theoretical hash.

Instead of compositing, Rahim practices a sort of anti-collage allowing images originally chosen for montage to remain separated and unviolated.  Associated images not only share a frame, but also exist in the same chronology. This contemporaneity of pictures, given the dignity of negative space, serves to concentrate a narrative. BMW rims and Air Jordans were not only collateral in the height of ‘90s street theft but were also major pawns in collector culture. Like luxury cars, his works operate on a value of period-correctness – a system of fetish and preservation. Both abstract and figurative, his work negotiates issues of nostalgia and iconicity as constructions of the personal and universal subconscious.

He asserts the material and intrinsic worth of objects in relation to the specific time and place of their production. Cultural relics like an authentic 1984 LA Olympic archery pad and a true BMW E30 windshield existed in the same decade as 1987’s violent Operation Hammer, a city initiative where the slightest suspicion of drug possession justified a fever pitch of police brutality, mass incarceration, and prejudiced racial profiling. The archery board, an artifact from the very event that gave legislative rise to Operation Hammer, has an eerie physical relationship with the cracked windshield in which it repeats the same violence of targeting, bludgeoning, and revolt that characterized the streets during the LA Riots.

Not only are these objects part of a street market economy, holistically Rahim casts them as totems of competition: basketball, cars, gangs and music. Master of None, a weighty arrangement of tiered podiums resembling the pedestals of Formula One racing, is stripped of its function and reduced to its essential minimal form. When isolated from its competitive context, one is confronted with its brute materiality and presence. It is at once purely aesthetic and a cynical expression of hierarchy, a stage without champions. Much like the ambiguity in his other pieces, the viewer is left between sculpture and commentary.

Warp Zone #5 is part of an ongoing series of photographic drawings. Symbols and icons are transformed into spiral amorphs. They appear to be mundane objects and phrases but are flattened into a galaxy of its own skewed gravity. Each component is on the cusp of recognition and suggests a relationship with its neighboring element, but ultimately concedes to the motion of its own nightmarish realm.

With Rauschenberg’s visual semantics and Man Ray’s photographic unconscious, the pieces in Distillations are faint recollections of an era floating in purgatory. Solarized prints of Dr. Dre’s monumental album The Chronic, distorted reproductions of the Nike Air Foamposites, and Northrop Grumman’s B-2 Spirit Stealth Bomber are appropriated and manipulated into a spectral grammar of kink, poetry, and violence. Despite a conceptual grounding in his personal memories, Rahim suggests form, then rejects it; retains context, then negates it; collages, then throws it all into the white noise.

Hassan Rahim, b. 1987, Los Angeles, is a mixed media artist and art director living in Philadelphia. This is his second solo exhibition at HVW8 Art + Design Gallery; he has previously exhibited in Milan and Amsterdam.

Hassan Rahim – Distillations

 

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Hassan Rahim
Distillations
May 29th – June 22nd, 2014

Opening Thursday, May 29th, 7 – 10pm

Please RSVP at rsvp@hvw8.com

In his second solo exhibition Distillations, Hassan Rahim applies his visual dialogue to deeper negotiate iconicity and nostalgia as constructions of the personal and universal subconscious. Using episodes from his past as a conceptual framework, futuristic fighter planes and vignettes from Los Angeles’s seedy history are re-contextualized in a spectral grammar of poetry and violence.

With Rauschenberg’s collage semantics, Stella’s defiance of the canvas, and Ruscha’s typographical sensibilities, Rahim’s obsessions are lacquered under layers of worship, kink, machinery, and analog static.

Hassan Rahim, b. 1987, Los Angeles, is an artist and art director. His work, reminiscent of vague childhood memories and adolescent fantasies, utilizes photography, collage and mixed media to create strong contextual pieces which are both appealing and alarming to the audience. This is his second solo exhibition at HVW8 Art + Design Gallery; he has previously exhibited in Milan and Amsterdam.

Please email info@hvw8.com for inquiries.

Janette Beckman – Rebel Cultures. Opens April 17th.

The Police London 1978
The Police, London 1978

HM Gang East LA 1983
HM Gang, East LA 1983

Run DMC Hollis Queens 1984
Run DMC, Hollis Queens 1984

Janette Beckman

Rebel Cultures:
Punks, Rap and Gangs

Opening Thursday, April 17th, 2014, 7 – 10pm
Please RSVP at rsvp@hvw8.com

In the summer of 1982, Janette Beckman was introduced to members of the East LA gang El Hoyo Maravilla.  She proceeded to document this culture much as she had with British punks and the emerging New York hip-hop scene.  HVW8 presents her photographs of these seemingly disparate tribes bound by a common rebel spirit.

Janette Beckman vividly remembers that summer. “I was spending the summer in LA with a friend who managed a punk band…for me that meant going out to clubs at night to take photos, neon signs, palm trees, 1950′s bars and cars, Venice beach and much more.

One day I met a writer who was working on a story about the East LA gang scene. I asked him to introduce me to the El Hoyo Maravilla gang. We drove out one hot summer day to a large dusty park in East LA to meet some members of the HM gang.

I had been documenting the London punk scene since 1976 and brought with me a box of 8”X10” prints of the British skinheads, punks, ska and rockabilly kids to show them. I explained that these were the ‘gangs’ in the UK and they agreed to let me take portraits of them to show people in London.  I spent that summer photographing the gang with my Hasselblad camera, driving back and forth from Hollywood to East LA in my Rent-A-Wreck V8 Ford LTD.

The East LA area was poor, hot and arid, and there was the constant sound of LAPD helicopters buzzing overhead. The gang members introduced me to their families, showed me the barrio and tried to explain how it was living ‘la vida loca’.

I was the first British person they had ever met and we were curious about each other.”

In 2011, Dashwood Books published a collection of Janette’s photos of the HM gang.  One of the three girls Janette had photographed leaning against a car in the park contacted her after seeing the book.

Nearly 30 years after that original photo was taken, Janette met the girls again to see where their lives had taken them.  “We met in Boyle Heights at their sister Arlene’s house and they took me to the Home Girl Café for lunch. The three women had amazing tales to tell of their lives.  They had lost husbands to gang violence. But these three amazing women had survived and thrived, they were mothers, career women and still the best of friends. They told me that most of the Hoyo Maravilla guys that I had photographed back in the day were either in jail or had passed away. We sat in the cafe and told stories. They tried to date the exact year I had met them: ‘Was the car we were standing in front of gold or blue?’ they asked, because one of their friends had been shot in the car and it had to be repainted after that because of the blood stains – this was how they would date the photos.”

This exhibition features not only photographs of the HM gang back in the day and the Rivera Bad Girls today, but also various iconic photographs documenting the formative years of the punk and hip-hop scenes including Johnny Rotten, Joe Strummer, Debbie Harry, Slick Rick, Keith Haring, and Run DMC to name a few.

BIOGRAPHY

‘Londoner Janette Beckman began her career at the dawn of punk rock working for The Face and Melody Maker. She shot bands from The Clash to The Specials as well as 3 Police album covers. Her powerful portraits celebrating this music and street style are collected in ‘Made in the UK: The Music of Attitude, 1977-1982‘, PowerHouse Books 2005.

Moving to New York in 1982, she was drawn to the underground Hip Hop scene. Her photographs of pioneers Afrika Bambaata, Run DMC, Salt’ n ‘Pepa and Grandmaster Flash and 1980′s style are collected in ‘The Breaks, Stylin and Profilin 1982-1990‘, PowerHouse Books 2007.

Since moving to New York she has shot everyone from entertainers to politicians – Clients include: Esquire, Rolling Stone, People, Interview, London Sunday Times Magazine, Observer Magazine, Doc Marten, Converse, Schott, Casio, Warner Brothers Music, Universal Music, etc.

Her photographs have recently been exhibited at: Paul Smith London, Morrison Hotel Gallery NYC, Collette Paris, Isetan Tokyo, Kong Gallery Shanghai, Rockarchive and Proud Gallery London.

Bompton to Hollywood

 

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For one night we brought Bompton to Hollywood with featured photos from Michael Miller along with a performance by YG and friends. Thanks to those who attended, and sorry to neighbors for the late night music. Video to come … stay tuned!

Miami Art Basel photos

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Thanks you for everyone that come out to HVW8 Gallery and adidas Original’s ‘Bits and Pieces’ Art Basel event this year in Miami. Great artwork and a great time was had by all.

Thanks to the artists Jean André, Erin D. Garcia, Jay West and Kevin Lyons, along with musical invites Dam-Funk, Dj DZA and Them Jeans. Also thanks to Peas and Carrots for hosting and to the Garret in Miami for letting us cover their walls.

A video will be posted shortly, but there are more photos by David Cabrera on the HVW8 Facebook page.

JJJJound ‘Correspondence’ video

Video with Justin R. Saunders (JJJJound) discussing his ‘Correspondence ‘ exhibition at HVW8 Gallery

JJJJound is a wordless blog by Justin R. Saunders. Originally a mood board shared with friends, it has since become a global mainstay and daily web visit for designers, tastemakers and fans alike.

One of those friends is Claudio Marzano, whose creative partnership with Saunders dates back to 1993; twenty years over which their obsessive consumption of visual culture has shifted from print to screen, in step with the rise of the Internet.

Countless emails containing nothing more than images taken from the world wide web were sent between them over that period.

CORRESPONDENCE is an exhibition of recent emails, reproduced as 4′ x 6′ oil paintings, by commercial artists offering “competitive labor costs” from the Wushipu Oil Painting Village in Xiamen, China.

Justin R. Saunders grew up in Lahr, Germany, before moving back to Montreal in time for some high school shenanigans. Enjoying the finer things in life, a fervid aesthete, Saunders created the JJJJound photo blog in 2006.

Read more on Complex.com

Kind Regrets – New Works by Parra, Opening Sept. 29th

Kind Regrets – New Works by Parra
Opening Reception Sept. 29th, 7 – 10 pm

rsvp: Kind_Regrets@hvw8.com

Parra is known to lovers of his work for the themes and motifs which have become unmistakable and distinctive trademarks of his style. Curved 2 dimensional modern post – pop  images, highly saturated colors, vibrant typographic hand-drawn letters and worlds inhabited by hybrid, bizarre, surreal characters. Men with bird heads, fleshy and voluptuous women with round sensual bodies, mixed with texts and themes that span from sarcastic and introspective to ironic and bold, all the way to nonsensical. Esteemed and popular in the independent scene in the beginning, he quickly became a recognized, creative, and eclectic artist worldwide. Established brands have recruited Parra to customize limited edition products, his hands have illustrated ad campaigns and his works have been shown in various solo exhibitions around the globe. His last show was in the SFMOMA, his first in a U.S. museum.

 

Exhibition running through Nov. 11th, 2012.
HVW8 Art + Design Gallery
661 N. Spaulding Ave, Los Angeles, Ca.

PARRA b.1976

Riverdance, 2012
acrylic on canvas
100 x 140 cm (39.37 x 55.12 in)
part of Re:Define charity auction exhibition

 

rizzo, 2012
pen on paper
22.86 x 30.48 cm (9 x 12 in)

www.hvw8.com
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enjoi at HVW8 – just another skateboard art show

 

enjoi – just another skateboard art show

We will be transforming the HVW8 Gallery space once again for the enjoi – just another skateboard show featuring artwork and designs by Winston Tseng, Matt Eversole, Todd Bratud and Jerry Hsu.

opening reception Saturday, March 7th, 7 to 10 pm, by invitation only.

rsvp enjoi@hvw8.com

More info on the Gallery website HERE.

the NU AMERICA BLOCK PARTY

HVW8, JoyRich and Gravis
Present :

The Nu America Block Party
in support of Obama’s election victory!

with live performances by:
HAWTHORNE HEADHUNTERS
http://www.myspace.com/hawthorneheadhunter
COMPUTER JAY
http://www.myspace.com/computerj
ROB ROY
http://www.myspace.com/robroy

SATURDAY, NOV 8TH, 3 to 10pm

At the corner of Melrose and Spaulding (2 blocks east of Fairfax)

HVW8 Art + Design Gallery, 661 N. Spaulding Ave., Los Angeles, Ca., 90036
JOYRICH – 7700 Melrose Ave. L.A. Ca, 90046 (featuring the brands PLAIN GRAVY and SOPHMORE)

Drinks + Food