Interview with Janette Beckman on her Rebel Cultures exhibition at HVW8 from LA Weekly as well as recent press from Hayabusa (Japan), Complex (US), Purple Magazine (France), Jay Z’s Life + Times and more below.
Dr. Dre, MC Ren, Eazy-E and DJ Yella of N.W.A. in 1990, near their studio in Torrance, California. Originally appeared in the book “Rap!” by Janette Beckman and Bill Adler.
Janette Beckman’s lens somehow always seems to always capture the intersection of gritty and cool. Born in London, England, Janette is a product of the ’70s punk movement. Like the music and lifestyle her art embodied, she soon crossed the ocean to New York, and has lived there since the top of the ’80s. Almost 35 years later, Janette has amassed portraits of rockers, rappers, painters, gangsters and more than a few would-be music moguls in the form of Rick Rubin, Dr. Dre and Russell Simmons. Regardless of who her subject is, Janette seems to find the honesty as well as the style in people. If the camera won’t show it, the jovial photographer’s anecdotes surely will. Beginning April 17th, select photos of Beckman’s are featured in HVW8 Art + Design Gallery (661 N. Spalding) in an exhibition called Rebel Cultures: Punks, Rap & Gangs, sponsored in part by Diamond Supply Co.
For the opening, Janette traveled back to L.A. 31 years after her first trip (prominently featured in the curation). Gallery goers included Curt Smith of Tears for Fears, Delicious Vinyl’s Rick Ross, and even three subjects that Beckman has bonded with since meeting them by chance a lifetime ago.
West Coast Sound: Much of your portrait work is often associated with New York. I’d like to talk about some of your L.A. photography. It’s in your book, The Breaks, and it’s prominently featured in this exhibit. This photo from 1983, “Gang Girls”; it’s such a moment in time. What prompted you to take that picture?
The “Riviera Girls,” then known as LA Happy Loca, LA Smiler Loca and LA Chrissy Loca, standing beside an early 1960s Chevrolet Impala in East Los Angeles. They reportedly attended Janette’s opening at HVW8.
Janette Beckman: In 1983, I was visiting a friend who managed The Go-Go’s, a seminal L.A. punk band. I just happened to pick up what I think was the L.A. Weekly, and read about this East L.A. gang, the El Hoyo MaraVilla. I loved the story so much, and there were no pictures. I just kind of got fascinated, so I got in touch with the writer and asked if he would introduce me to the gang.
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